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Iconoclasm in Aesthetics

Iconoclasm in Aesthetics
  • Author: Michael Kelly
  • Publisher: Cambridge University Press
  • ISBN: 0521822092
  • Page: 222
  • View: 347

not been the case , however , as iconoclasm has largely escaped philosophical scrutiny . Even art historians have traditionally not given it its due , because , according to David Freedberg , iconoclasm “ sears away any lingering notion ...

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More Books:

Iconoclasm in Aesthetics
Language: en
Pages: 222
Authors: Michael Kelly, Mike Kelly
Categories: Philosophy
Type: BOOK - Published: 2003-09-04 - Publisher: Cambridge University Press

Table of contents
Puritan Iconoclasm During the English Civil War
Language: en
Pages: 318
Authors: Julie Spraggon
Categories: History
Type: BOOK - Published: 2003 - Publisher: Boydell Press

An examination of Puritan iconoclasm, the reasons which led to it, and the forces which sustained it.
Iconoclasm and Iconoclash
Language: en
Pages: 506
Authors: Willem J. van Asselt, Paul Van Geest, Daniela Muller
Categories: Religion
Type: BOOK - Published: 2007 - Publisher: BRILL

In the history of Jewish, Christian and Muslim culture, religious identity was not only formed by historical claims, but also by the usage of certain images: "images of God," "images of the others," "images of the self."This book includes a discussion of the role of these images in society and
Images, Iconoclasm, and the Carolingians
Language: en
Pages: 496
Authors: Thomas F. X. Noble
Categories: History
Type: BOOK - Published: 2012-02-25 - Publisher: University of Pennsylvania Press

In the year 726 C.E., the Byzantine emperor Leo III issued an edict declaring images to be idols, forbidden by Exodus, and ordering all such images in churches to be destroyed. Thus commenced the first wave of Byzantine iconoclasm, which ran its violent course until 787, when the underlying issues
Iconoclasm
Language: en
Pages: 368
Authors: David Freedberg
Categories: Art
Type: BOOK - Published: 2021-06-29 - Publisher: University of Chicago Press

With new surges of activity from religious, political, and military extremists, the destruction of images has become increasingly relevant on a global scale. A founder of the study of early modern and contemporary iconoclasm, David Freedberg has addressed this topic for five decades. His work has brought this subject to