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The Head Voice and Other Problems

The Head Voice and Other Problems
  • Author: David Alva Clippinger
  • Publisher: Franklin Classics
  • ISBN: 0342340654
  • Page: 116
  • View: 313

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations.

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.


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This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and
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Excerpt from The Head Voice and Other Problems: Practical Talks on Singing From a rather wide acquaintance with what has been Said on this subject in the past hundred years, I feel perfectly safe in submitting the proposition that the human mind can believe anything and be conscientious in it.
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Reproduction of the original: The Head Voice and Other Problems by D.A. Clippinger
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"In this his first book, Striny confronts and explains the universal problem in singing today. This problem is at the center of an important dilemma in the world of opera today--namely, where have all the great operatic voices gone? Striny dissects the problem and offers the solution, which is a
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